Tag: Music

James Blake is a Eurorack nerd

James Blake and Mylar Melodies talk about the fun of learning new gear, getting inspired from unlikely sources, and how to sync modular hardware with a live drummer. Is that possible…apparently yes!

There was a lot to take in from this conversation, including staying true to artistic freedom or catering to expectations of fans and critics.

Both of these gentlemen are experts in their respective fields; if this is something you like there are more interviews with electronic artists and instrument manufacturers on the “Why We Bleep” website.

ZG – ZG

The debut album of Zansika Lachhani and Grant (aka Anthony Collins, the Tony in Frank & Tony) is a gorgeous blend of guitars, synths, textures, vocals, and grooves. It has a unique sonic palette that will fit in almost any situation.

Besides the musicality and sound of the album, I love the fact that “Z & G” originally connected online after hearing each others music on Soundcloud.

Motivation for everyone to continue to create and share because you never know what connection and future creation it will lead to!

Nils Frahm – All Melody

Nils Frahm’s music will always have an emotional impact on me.

The first listen I was absolutely blown away by his style, use of dynamics, timbres, textures, piano playing, and composition.

Any synth nerd or music producer can appreciate and enjoy what he creates. The “All Melody” album is fantastic, “Spaces” is another earlier record I enjoy top down, and the recording of his live show “Tripping with Nils Frahm” is an experience in and of itself.

I cannot wait to see him live in Los Angeles next month.

Elektron Octatrack/Sequencer Training – EZBOT

If you have one of the sexy Swedish Elektron machines you know how powerful and fun they are. More importantly, you know how much of a pain in the ass it is to figure out how to use when you are an Elektron workflow neophyte.

First, RTFM. Finished? Excellent! When you want another resource I can highly recommend EZBOT’s YouTube channel.

He is articulate, clear, concise, and a major resource for the “Elektronauts.” He is helping reframe my use of the Octatrack in live performance and studio settings. I speak for all the silent viewers when I say: “Thank you Matt!”